|
|
Синоличка Трпкова е родена во 1965 година, во Скопје, каде што завршува основно и средно училиште. Дипломира на Факултетот за драмски уметности, на Одделот драмски актери, во 1988 година. Има одиграно повеќе филмски улоги, меѓу кои се Темјанушка во „Железната тврдина“ (2025) на Митко Панов, Аја во „Мртов корен“ (2025) на Меглен Анжиќ Трпков, „Збогум на 20-тиот век“ (1998) на Александар Поповски и Дарко Митревски, Мара во „Џипси Меџик“ (1997) на Столе Попов, Весна во „Липстик“ (1993) на Роберт Адријан Пејо, Бранкица и Девица во „Светло сиво“ (1993) на Александар Поповски и Срѓан Јаниќијевиќ, курвата во „Тетовирање“ (1991) на Столе Попов, Софија во „Гаврило Принцип“ (1990) на Питер Патзак, Азра во „Дом за бесење“ (1989) на Емир Кустурица и Нале во „Среќна Нова 1949“ (1986) на Столе Попов. Нејзиното телевизиско искуство е големо и разновидно, игра во многу ТВ-серијали, ТВ-филмови и драми – „Оазата на Мира“ (1994), „Во светот на бајките“ (1994), „Хераклеа по втор пат“ (1992), „Заминување од Пасквелија“ (1992), „Опстанок“ (1990), „Трето доба“ (1987), „Претежно ведро“ (1986), „Бушава азбука“ (1985). Присутна е и на театарската сцена, во претставите „Ју антитеза“, „Ништо без Трифолио“, „Ричард Трети“, „Мизантроп“, „Гуштерица“, „Ноќ на вештици“, „Црна дупка“, „Спасени“, „Квартет“, „Среќата е нова идеја во Европа“. Од 1989 до 1991 г. работи како актер во Македонскиот народен театар, а од 1991 до денес работи на Факултетот за драмски уметности во Скопје, како редовен професор. Во периодот 2002 – 2006 живее во Холандија, каде што го совладува холандскиот јазик, како втор мајчин јазик, и работи на различни проекти: како актер на студентски ТВ-проект на Уметничката академија „Сент Јост“ во Бреда, а потоа и како истражувач на македонското културно наследство во Холандија, што е заведено и архивирано во Институтот за социјална историја во Хаг. Во 2007 – 2009 г. се јавува како автор и водител на серијалот емисии „Аларм“, посветени на чувствителни теми од нашето заедничко живеење. Магистрира во 2010 г., на Универзитетот за туризам и менаџмент, на тема „Филмскиот туризам и странските искуства од значење за Република Македонија“. Во 2013–2014 г. го преведува драмскиот текст „Денови без драма“ од холандски јазик, од познатата холандска авторка и режисерка Мариолајн Биренс, што е поставен на македонската театарска сцена. Во 2016 г. излегува од печат нејзиниот учебник „Актерска игра пред камера“. Во 2026 г. е автор и на втор учебник од истата тематика – „Актерот е“. Во 2021 г. се јавува и како автор на збирката кратки раскази „Никогаш не кажувам“, а во 2025 г. како коавтор на епистоларната проза пишувана заедно со Епископот дремвитски Давид Нинов – „Проникнување“. Таа е креативен копродуцент на „Бушав буквар“, второто продолжение на „Бушава азбука“ (во развој). Во 2025 г. настапува како продуцент и актер во филмот „Мртов корен“ на Меглен Анжиќ Трпков. И најважно од сѐ – мајка е на Леона и Меглен.
Sinolicka Trpkova was born in Skopje in 1965, where she completed her primary and secondary education. She graduated from the Faculty of Dramatic Arts in Skopje, Department of Acting, in 1988.
She has appeared in numerous film roles, including Temjanushka in The Iron Fortress (2025) by Mitko Panov, Aja in Dead Roots (2025) by Meglen Anzik Trpkov, Goodbye, 20th Century! (1998) by Aleksandar Popovski and Darko Mitrevski, Mara in Gypsy Magic (1997) by Stole Popov, Brankica and Devica in Light Gray (1993) by Aleksandar Popovski and Srdjan Janicijevic, Vesna in Lipstick (1993) by Robert Adrian Pejo, the prostitute in Tattoo (1991) by Stole Popov, Sofia in Gavre Princip (1990) by Peter Patzak, Azra in Time of the Gypsies (1989) by Emir Kusturica and Nale in Happy New Year (1986) by Stole Popov. Her television experience is extensive and diverse, including roles in television series, TV films, and dramas such as The Oasis of Mira (1994), In the World of Fairy Tales (1994), Heraclea for the Second Time (1992), Leaving Pasquelya (1992), Survival (1990), Third Age (1987), Mostly Clear (1986) and Busava Azbuka (1985). She has also been active on the theatre stage, performing in productions including Yu Antithesis, Nothing Without Trifolio, Richard III, The Misanthrope, Lizard, Halloween Night, Black Hole, Saved, Quartet, and Happiness Is a New Idea in Europe. From 1989 to 1991 she worked as an actor at the Macedonian National Theatre. Since 1991, she has been working at the Faculty of Dramatic Arts in Skopje, where she is a full professor in Acting in Front of the Camera. Between 2002 and 2006 she lived in the Netherlands, where she mastered the Dutch language as a second native language and worked on various projects. These included acting in a student television project at the St. Joost Academy of Art in Breda, as well as researching Macedonian cultural heritage in the Netherlands, which has been documented and archived at the International Institute of Social History in The Hague. From 2007 to 2009 she was the author and host of the television series Alarm, dedicated to sensitive issues concerning our shared social life. In 2010 she received her master’s degree from the University of Tourism and Management, with a thesis titled Film Tourism and Foreign Experiences of Importance to the Republic of Macedonia. In 2013–2014, she translated the play Days Without Drama from Dutch, written by the acclaimed Dutch author and director Marjolijn Bierens. The play was subsequently staged in the Macedonian theatre. In 2016, her first textbook, Acting in Front of the Camera, was published. In 2026, she authored a second textbook on the same subject, titled The Actor Is. In 2021, she published a collection of short stories titled What I Never Tell, and in 2025 she co-authored the epistolary prose work Permeation together with Bishop David Ninov of Dremvitsa. She is the creative co-producer of Busav Bukvar, the second continuation of Busava Azbuka, currently in development. She is also producer and actor in the film Dead Roots by Meglen Anzik Trpkov. And most importantly of all, she is the mother of Leona and Meglen.
She has appeared in numerous film roles, including Temjanushka in The Iron Fortress (2025) by Mitko Panov, Aja in Dead Roots (2025) by Meglen Anzik Trpkov, Goodbye, 20th Century! (1998) by Aleksandar Popovski and Darko Mitrevski, Mara in Gypsy Magic (1997) by Stole Popov, Brankica and Devica in Light Gray (1993) by Aleksandar Popovski and Srdjan Janicijevic, Vesna in Lipstick (1993) by Robert Adrian Pejo, the prostitute in Tattoo (1991) by Stole Popov, Sofia in Gavre Princip (1990) by Peter Patzak, Azra in Time of the Gypsies (1989) by Emir Kusturica and Nale in Happy New Year (1986) by Stole Popov. Her television experience is extensive and diverse, including roles in television series, TV films, and dramas such as The Oasis of Mira (1994), In the World of Fairy Tales (1994), Heraclea for the Second Time (1992), Leaving Pasquelya (1992), Survival (1990), Third Age (1987), Mostly Clear (1986) and Busava Azbuka (1985). She has also been active on the theatre stage, performing in productions including Yu Antithesis, Nothing Without Trifolio, Richard III, The Misanthrope, Lizard, Halloween Night, Black Hole, Saved, Quartet, and Happiness Is a New Idea in Europe. From 1989 to 1991 she worked as an actor at the Macedonian National Theatre. Since 1991, she has been working at the Faculty of Dramatic Arts in Skopje, where she is a full professor in Acting in Front of the Camera. Between 2002 and 2006 she lived in the Netherlands, where she mastered the Dutch language as a second native language and worked on various projects. These included acting in a student television project at the St. Joost Academy of Art in Breda, as well as researching Macedonian cultural heritage in the Netherlands, which has been documented and archived at the International Institute of Social History in The Hague. From 2007 to 2009 she was the author and host of the television series Alarm, dedicated to sensitive issues concerning our shared social life. In 2010 she received her master’s degree from the University of Tourism and Management, with a thesis titled Film Tourism and Foreign Experiences of Importance to the Republic of Macedonia. In 2013–2014, she translated the play Days Without Drama from Dutch, written by the acclaimed Dutch author and director Marjolijn Bierens. The play was subsequently staged in the Macedonian theatre. In 2016, her first textbook, Acting in Front of the Camera, was published. In 2026, she authored a second textbook on the same subject, titled The Actor Is. In 2021, she published a collection of short stories titled What I Never Tell, and in 2025 she co-authored the epistolary prose work Permeation together with Bishop David Ninov of Dremvitsa. She is the creative co-producer of Busav Bukvar, the second continuation of Busava Azbuka, currently in development. She is also producer and actor in the film Dead Roots by Meglen Anzik Trpkov. And most importantly of all, she is the mother of Leona and Meglen.
Трејлер: Меглен Анжиќ Трпков